Entanglement

video upload by Martin Peters

"I have been noodling away on the guitar for quite a while now. Looking for new inspiration and musical insights. Doing this I sort of neglecting the synthesizers. I barely touched them since our last Beyond Berlin concert on E-Day in April 2023. In Januari I bought the Behringer Victor module and came up with this music. Last Thursday I switched the synths on again and the music was still in the Cirklon. I added some bits and recorded the music. What you see is the second take because in the first take the Minimoog solo's were not good enough.
It starts with a sequence on the Behringer Victor. Then the bass from the Synthesizers.com modular comes in. After that sequences from the Rob Hordijk OSC HRM, Oberheim SEM, Verbos Harmonic Oscillator, Korg Opsix and DSI Mopho are added. Strings are from the Waldorf Q Keyboard and the solo's from the Moog Minimoog."

4/24/24 (YLF 4, Op. 9, no. 2) Roland Jupiter 6 & RE-301 + Akai ME20A + Alesis Midiverb II

video upload by Cfpp0

"The left hand of Frédéric Chopin’s “Nocturne in E-flat major, Op. 9, no. 2” is translated into a sequence by the Akai ME20A MIDI sequence arpeggiator and played back on the Roland Jupiter 6 (cross modulation). The Jupiter 6 audio output goes into the Alesis Midiverb II, with the input overloading. Tape echo from the Roland RE-301 is applied on the Mackie Onyx 1640 mixer."

4/26/24 Chopin’s “Nocturne in E-flat major, Op. 9, no. 2” according to Akai ME20A & Roland Jupiter 6


"YLF plays the left hand of Frédéric Chopin’s 'Nocturne in E-flat major, Op. 9, no. 2' again, but this time as chords, which the Akai ME20A translates into a Bach-icized sequence. The Roland Jupiter 6 is in SOLO mode first, until it is switched to POLY-1 at 1:17, with some wiggling of filter cutoff and resonance, and the sustain and release on envelope 2, throughout the video, particularly towards the end.

(YLF #6, Alesis Midiverb II #46)"

Black Corporation Kijimi SN 1209 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

CLICK FOR MORE »

Bad Gear - The Dark Knight

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. We can all agree that Roland created a few quite respectable drum machine like the Roland TR-808 , Roland TR-909 , Roland TR-606 and Roland TR-707 . However, since then their target demographic has dwindled: analog enjoyers have joined the Cult of Uli, people willing to RTFM are using next-generation Scandinavian abaci like Elektron Digitakt or Elektron Octatrack and real musicians switched to computers decades ago.

Today we are going to talk about Roland TR-8s. This 2018 flagship rhythm performer not only boasts a design language that clearly focuses on inner beauty - it also combines the played-out sounds of the 80s with the workflow of a 90s ROMpler.

Chapters:
00:00 Intro tune
00:57 Overview Roland TR8s
01:34 Sound Generators ( ACB , PCM Samples , User , FM Drum Synth )
01:55 Updates ( Roland CR-78 )
02:05 User Interface , Sound Parameters
02:20 Menu Diving
02:34 Kits, LFO
02:42 Buttons , Akai MPC - Style Pad
02:52 Sequencer , Workflow, Swing, Accents, Fills
03:29 Additional Features (Rolls, Substeps, Microtiming )
03:41 Motion Recording , Parameter Locks ,
03:57 Limitations, Melodies, 808 Bass
04:16 FX ( Roland SP-404 - Style Vinyl Effect )
04:46 What else? ( SD Card , Computer Integration, Thanks)
05:35 Hate
05:58 Jam 1 (Triple Roland TB-3 Jam)
06:53 Jam 2 ( Elektro )
07:47 Finale ( Footwork / Juke )
08:17 Verdict"

A Zen-Bro romance told in resonant screams

video upload by Richard DeHove

"I have a bad habit of cranking the resonance on any machine I touch. It's so ingrained I did it at a friend's studio a little while back on an unfamiliar synth - and after a brief shriek decaying to an air-moving whomp I thanked the gods that the volume was set so low. I've used so many Polivoks-style filters in recent times I'm used to cranking the resonance with impunity.

Which brings me to the delicate love story between the Erica Synths Zen delay and the Behringer Pro-800. My trusty Rev2 is for sale and in its place I bought the Pro-800. Why trade down you may ask? Truth is I'm not a big poly player. The more polyphony you use the more simple the sound needs to be, in which case I wanted a simple yet knobby poly, and that's the Pro-800. Added bonus: no onboard effects. So when the Pro-800 arrived this week I teamed it with the Zen delay immediately.

So the romance is revealed: A brand new Pro-800 teamed with the Zen delay. The 800 is switched on for the first time, the resonance is cranked, the Zen's input drive and overdrive is engaged and almost immediately this gloriously jagged, gritty, and unpredictable darkness pours out.

Five minutes of first-time noodlings is a bit much I admit. And I was going to say all this over the top of the video but that felt wrong, like ads in a funeral service. So instead here it is. It is literally the first time I ever powered it on, to the point where I didn't even know how to save the sound or know whether I'm in tune, on the upside I pretty sure moved every knob and switch so if you want to replicate the sound, there it is.

Even so the 800's resonance is not fully cranked, I had to back off a little just to retain the ability to hold an actual melody.

Whether the 800 is good for anything else, who knows - I haven't got past this sound yet and I must look up how to save it. What's clear though is that the 800's filter teams beautifully with some heavy drive. I can feel more teamings in the air - perhaps another stereo 'Roger That' outing?

One final thing worth mentioning: the Zen delay cost significantly more than the Pro-800. Makes you wonder where your synth dollar is best spent.

Lots of downloads for supporters on Patreon: / richarddehove
Many thanks to my kind patrons who keep this channel ad-free My website: https://richarddehove.com/"

TMP-2-06 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:31 Introduction
01:20 Little Black Boxes
04:37 Switched On Cybersynths
17:46 Synthesiser Club
21:23 Commercial Break
23:05 Patching Today
37:53 Video Lab
40:26 Outro

"Episode six of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio, and the final episode of the season

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

////////////////////////////////////////////////////////

In THIS episode:

LITTLE BLACK BOXES - The Kawai k1m was a small desktop version of the K1 layer synth, introduced in 1988. Today I sequence it from an Atari ST running C-Lab Notator

SWITCHED ON CYBERSYNTHS - Patching it all together: after a brief section on quantising both pitch and time, I attempt to patch together all of the Memetune modulars (12 vintage systems!) in a giant Cybersynthesis monster patch

SYNTHESISER CLUB - Today, its more Yamahas, including a QX1 sequencer, RX5 drum machine, TQ5 FM synth module, REX50 multi FX, SY85 layer synth and a MT1X 4-multi-track cassette recorder

COMMERCIAL BREAK - Some adverts for Memetune related goodies, including the new Memetune Annual 2024 (sort of😁)

PATCHING TODAY - Taking the wonky Roland System 100 for a ride

VIDEO LAB - In this episode we take the meme-mobile for a spin!


////////////////////////////////////////////////////////

LINKS:

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com"

The Roland System 100 Synthesizer - Semi Generative Patch #modularsynth #synth #ambient #drone #100

video upload by S R DHAIN

"Modular & Semi Modular synths can be set to self-generate all kinds of effects, noises, and music. It can be both challenging and fun to program the synths to do this.

Here , the 104 sequencer is running at a very low clock speed and has a sequence of notes that are consistently chiming in on the 101 keyboard, which itself has the VCF & the VCA being slowly modulated by it's LFO.

The 102 expander has the sample & hold switched on to both pulse out a note trigger & slowly modulate its the VCF. My occasional interjections are to change the key of the sequence on the 101 keyboard & the 102's drone note; the 102's pitch is affected by the CV input from the 101's keyboard."

Introducing Vongon: Replay // Polyphonic Synth & Muti-Mode Arpeggiator

video upload by MAS Distro

Update: new demos added below.

"Join us as we embark on a sonic journey with Replay, a new polyphonic synthesizer and multi-mode arpeggiator from Vongon. First up we test its prowess in the realm of synthwave - spoiler alert: it excels! In the latter half, we delve into the interface and its versatile capabilities complete with an immersive sound exploration, unleashing the arpeggiator and tweaking various parameters for a mesmerizing experience. Video and music production crafted by DeadMidi.

Gear Used:
Vongon Replay Polyphonic Synth/Arpeggiator
Vongon Polyphrase Stereo Echo
Vongon Ultrasheer Stereo Pitch Vibrato & Reverb"

Vongon Replay!

video upload by Fireghosting

"Replay is a six-voice polyphonic synthesiser and a little window into synth heaven. Lush pads, tiny plinks, snappy arpeggios, warbling melodies, resonant filters with midi connectivity and a sleek web interface!"

Vongon Replay Virtual Analog Synth | Overview + Exploration

video upload by Sarah Belle Reid

"A demo and walkthrough of the new polysynth Replay, by Vongon. Replay is a 6-voice polyphonic synthesizer with a compact form factor that takes inspiration from classic poly synths from the 1980s, like the Roland Juno series + the Korg Polysix.

This video includes an overview of what Replay is and how it works, along with a number of sound examples demonstrating Replay on its own and in combination with FX pedals, to create a wide range of sounds from classic synth leads, pads, and arpeggios to more experimental textures and noisy sound worlds."

TIMESTAMPS:
00:00 Intro
02:45 Replay Overview & Tour
17:03 Musical Demo
19:09 Filter Experiments on Replay
23:50 Exploring the Arpeggiator
28:00 Combining Replay with FX

Vongon Replay: This synth rules!

video upload by Matt Lowery

"Today we take the beautiful Replay by Vongon out for a spin and also have a conversation about synthesis basics in honor of my five year synth-a-versary. Vongon really hit it out of the park with this instrument and--whether it's your first synth or your 10th-- there's a lot here to love."

VONGON REPLAY Polyphonic Synth & Arpeggiator | Can I write a synth-pop track with it?!

video upload by Ambient Endeavors

"Man, I just love gear that makes you approach writing differently. That reminds you how fun it can be to find new sounds and feels, explore new ways of composing. And today, the new Vongon Electronics REPLAY is doing that for me - a super fun, approachable, compact polyphonic synth and arpeggiator."

via Perfect Circuit

"The Replay is the first synthesizer offering from boutique pedal designers Vongon, offering a six-voice virtual analog sound engine with multi-mode arpeggiator. Inspired by beloved keyboard synths of the early 80s like the Roland Juno and Korg Polysix, the Replay faithfully delivers warm and lush vintage timbres in a compact package that drips with modern aesthetics and utility. In Replay, Vongon has struck an impressive balance between scope of features, user experience, and overall sound quality. The result is an instrument that sounds wonderfully rich and nostalgia-laden, with an interface that is easy to understand - perfectly approachable for a beginning synthesist, yet deep enough to inspire veteran wigglers to explore the edges of its capabilities.

Replay's front panel is incredibly straightforward, with simple controls for its primary functions conveniently accessible. Additional options are selected via the "secret menu" alt functions. At the heart of Replay's sound engine are multiple selectable waveforms for its primary oscillator, with ramp, square, triangle, and sine modes. Noise amount, pulse width modulation, and LFO pitch modulation offer further timbral manipulations before passing to the four-pole, low-pass filter. Highly resonant and warm, the filter includes modulation depth controls from the primary envelope, keyboard tracking, and the LFO. The VCA features options for maximum amplitude and modulation source. An organic and responsive ADSR envelope and the on-board LFO round out this straightforward voice, with flexible modulation routing options between the main controls and alt functions.

The multimode arpeggiator on the Replay opens up a variety of fun and engaging options for controlling the synthesizer voice. Latch and keyed modes, in addition to the three poly modes available on the alt functions, offer a variety of ways for creating snappy and spiraling arpeggios and fuzzy, morphing pads. Up/Down, order, and random modes provide further ways to organize pitch material. The alt functions allow the LFO to be clocked by the ARP speed, creating rhythmically modulated phrases that are a joy to get lost in.

All in all, the Vongon Replay delivers a premium virtual analog experience that feels streamlined and purpose-built for getting beautiful analog sounds quickly. With plenty of depth in sound color and just the right amount of tricks up its sleeve to keep you immersed in music making rather than menu diving, the Replay is sure to become a go-to instrument for lush pads and other classic synth timbres. Its physical design is beautifully simple, and the responsive feel of its Cherry MX keys invite playful interaction that is hard to put down. Of course, the Replay is a lovely source for running through Vongon pedals, creating an instant synthwave or soundtrack machine paired with an Ultrasheer or Polyphrase. If you're needing a straightforward synth with limitless sonic charm, the Vongon Replay is a wonderful choice.

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The Roland System 100 Synthesizer - variations on a theme ( Part 3) #modularsynth #synth #sequence

video upload by S R DHAIN

"Sometimes, one idea can lead to multiple variations on a theme. And many 60s, 70s & 80s Universal Studios t.v. shows utilsed this mindset with motifs created around the title music.

In Part 1, the sequencer was switched live to go from 4 steps to 8 steps. The basic time signature remained the same.

In Part 2, the sequencer's timing was being changed by bank B's pots. Noise was also used to add a drum part

In this third part, we're still hearing the same 8 notes, but the sequencer speed is being constantly changed by the sample & hold output from the 102 expander.

Note that the low drone pad is also being triggered from the same clock output, but without the lag to smooth out the ramp voltages it's firing out to the 104 sequencer; the speed of the melodic sequence ascends & descends accordingly.

LINKS :-

A selection of my music :-

https://srdmusic2.bandcamp.com/"

The Roland System 100 Synthesizer - variations on a theme ( Part 1) #modularsynth #synth #synthjam

video upload by S R DHAIN

"Sometimes, one idea can lead to multiple variations on a theme. And many 60s, 70s & 80s Universal Studios t.v. shows utilsed this mindset with motifs created around the title music.
In this part, the sequencer is switched live to go from 4 steps to 8 steps. The mixer is also played live."

ALA + RAR Mingles

video upload by After Later Audio

Mingles - Dual Autopanner and Dual 3 Channel Mixer/VCA || After Later Audio + Robots Are Red.

video upload by Robots Are Red

"Mix a synth patch and use Mingles as the VCA.
Blend a signal between two different outputs.
Autopan a mono signal.
Stereoize even more, an already stereo signal.

Mingles is a 12hp Dual 3 Input Mixer with attenuators for each signal, and a large panning knob for each of the two channels. There is a stereo output for each of the two channels, and a mixed stereo output of both channels. There is an internal LFO (Triangle or Pulse) that can be applied to each of the two channel’s panning. The LFO is inverted on channel 2 to allow for mirrored panning between the two channels.

There is also a VCA and external panning CV input in each of the two channels, along with a CV input for control of the LFO rate, and there is an LFO output.

The LFO can be switched between Triangle and Pulse waves with a jumper on the back of the module.

A huge thanks to After Later Audio for helping make this idea I had over 2 years ago a reality!

You can jump to any section of the video here:

00:00 - Opening
00:38 - Introduction and Rundown
02:50 - Stereo Oscillator Synth
04:36 - LFO Rate
05:09 - Back to Stereo Oscillator Synth
05:40 - Modulating the LFO Rate
07:38 - Mixing Drums
09:55 - External Panning CV
10:57 - End of Chain Panning Effect (Pulse LFO)
12:35 - Other Patch Suggestions
13:18 - Some Music"

Bob Moog Foundation to Host The Sounds of Innovation - First Public Broadcast of the Abominatron Tape

via The Bob Moog Foundation

"We are excited to announce that the Moogseum will be hosting The Sounds of Innovation, the first public broadcast of the Abominatron Tape in its entirety. The event will occur on Friday, March 29, at 7:00 p.m. It will feature an introductory reading by Executive Director Michelle Moog-Koussa from Bob Moog's biography, Switched On: Bob Moog and the Synthesizer Revolution, followed by a listening session of the full iconic 84-minute tape.

Tickets for the event are $15 per person and are now on sale.
The event is limited to 20 people, so do not hesitate to buy your ticket now.

In the summer of 1964, Bob Moog and Herb Deutsch began working on what would eventually become the Moog modular prototype. Deutsch spent three weeks working side by side with Moog in his basement workshop in Trumansburg, New York, where he added crucial input to the design process. Moog spent several months developing the prototype and later that year, he sent Deutsch the now-historic tape explaining the various controls, parameters, and capabilities of the Moog modular prototype.

The Moog modular prototype is widely considered the instrument that marked the genesis of a musical revolution and significantly advanced the development of electronic music. The Abominatron Tape captures the very first recorded sounds of a Moog modular.

The Sounds of Innovation is supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, with funding from the National Endowment for the Arts."

Iota // Ambient 1 (Sequential Prophet X)

video upload by Mai

"Ambient/cinematic music on the Sequential Prophet X synthesizer. Played through the Elektron Analog Heat MKII for a little warmth/saturation.

This version of Iota is on the album Beta, released 8th December 2023: https://wormholeworld.bandcamp.com/al..."

Nu // Ambient 5 (Prophet 6, Prophet 12, Minitaur, Mono Lancet '15, Keystep Pro)

video upload by Mai

"This version of Nu is on the album Beta, released 8th December 2023: https://wormholeworld.bandcamp.com/al...

Besides deciding on a scale and having an idea of the notes to play for each instrument, this was improvised. It was also unquantized and played in free time. I switched each sequence into 'Walk' mode, which is semi-random and adds an element of chance in terms of how the 4 sequences will interact."

CRUMAR PERFORMER COMPARISON - BOTH FILTER VERSIONS

video upload by Vintage Audio Institute Italia

"This is a dry - very dry - comparison video of the two iterations of the first model of the Crumar Performer - a string and brass machine.

There was also a second model Performer, the Performer 2, with a slightly different look, but I've never played that one - it's quite rare.

What makes the biggest difference between the early and late production run of the first model Crumar Performer is the architecture and components of the Brass filter section.

So we'll focus on that in this video, after a quick String Section comparison.

Crumar initially used the Moog Ladder filter for the Performer, and later modified the brass circuitry and switched to a SSM2040 filter.

Not only the components changed - the sound and behaviour of the Brass section itself changed.

There are quite a few opinions out there regarding the two filter sections so let's do some myth busting right away. There's no fool proof indicator of what filter version Crumar Performer you have in your hands just looking at it.

We initially thought the octave switch on the front panel was added together with the SSM filter - incorrect- we've had a Performer without octave switch that still mounted the SSM filter.

Some people say B in the serial number on the back indicates later production run units with SSM filters - also incorrect - these are both marked B but one is equipped with the Moog ladder filter.

Very low serial numbers should generally have the Moog Ladder filter but there's no rule of thumb - you just have to plug in your Performer and listen - or open it up and see which components are on board.

These were just serviced and calibrated according to specs - there's an official procedure for this - the SSM filter model had the SSM2040 switched to a new SSM2140 - without it making any difference on the behaviour or sound of the filter - we tried both."

TMP-2-05 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:32 Introduction
01:19 Little Black Boxes
04:41 Switched On Cybersynths
17:31 Synthesiser Club
20:38 Commercial Break
23:02 Patching Today
37:24 Video Lab
41:15 Outro

////////////////////////////////////////////////////////

Episode five of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

////////////////////////////////////////////////////////

In THIS episode:

LITTLE BLACK BOXES - The Korg Wavestation was released in 1990. This rack mount module version, called the Wavestation A/D, was released in 1991

SWITCHED ON CYBERSYNTHS - Ramdomness Tamed. A look at the EMS Random Voltage Generator and the Buchla 200 version of the Magnetic Freak Gaussian module

SYNTHESISER CLUB - Today, its Club Crumar! Featuring the DS2, the Multiman Mk2 and the Synergy digital system

COMMERCIAL BREAK - Some adverts for Memetune related goodies

PATCHING TODAY - on the Buchla 100 - trying to tame the beast!

VIDEO LAB - In this episode we look at some SFX shots and the Ultimatte chromakey system


////////////////////////////////////////////////////////

LINKS:

Polyrythmic Electronica vinyl / Systems of Objects: https://systemofobjects.bandcamp.com/...

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @ memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com


////////////////////////////////////////////////////////

The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2024

Pittsburgh Modular Local Parks Oscillator Demo

video upload by Pittsburgh Modular Synthesizers

"Deep dive into the Local Parks oscillator."

Local Parks got its first mention back in May of 2023 during SUPERBOOTH23.

via Pittsburgh Modular

"The Pittsburgh Modular Local Parks is drawn from our waveform manipulation research where advanced approaches to wave shaping throughout the oscillator showcase new sounds and unique waveforms. A full compliment of robust waveforms and modulation options paired with unmatched waveshaping creates a truly modern analog oscillator.

Our in-depth experimentation has created pulse waves which can be manipulated in multiple dimensions utilizing both Pulse Width and Pulse Shift. Pulse Shift creates an adjustable “step” within the pulse wave to further enhance the harmonic content of the wave. The wave used to create the pulse can be switched between sine and saw for additional sonic variation.

The Blade Wave is a morphing saw wave pitched one octave above the core frequency of the oscillator that smoothly shifts back to the core frequency as it changes shape. This creates a chorus-like effect on the sound of the Blade Wave without ever falling out of tune.

A Binary Logic waveform further expand the distinct sonic palette of the Local Parks. First utilized in our Narwhal Cymbal module, this waveshaper uses analog binary logic to create everything from gate effects to atonal bell like tones. The pulse and blade waves can be summed with the binary output for even more complex results.

Local Parks includes a built-in voltage controlled modulator to handle the bulk of modulation needs. This ensures that Local Parks can be a dynamic oscillator that produces evolving, high harmonic sounds within any eurorack setup."

Introducing IOLabs Particles - Touchscreen Physics Simulator for Eurorack

video uploads by IOLabs

A new module from the makers of Flux. IOLabs Particles is currently live on Kickstarter here.

Video Playlist:
IOLabs Particles: Touchscreen Physics Simulator for Eurorack!
IOLabs Particles: Centered Gravity Quantize Demo
IOLabs Particles: Collision Physics Demo

"Live on Kickstarter from Jan 31st 2024!

Our new module offers the possibility to create music using our creative physics engine. Add particles, animated surfaces, portals, black holes and generate gates on collisions, CV output voltages & quantized melodies!

Each particle can have entirely unique physics parameters including acceleration, velocity, mass & gravity! All interact in your simulation to create collisions and XY positional data that can be mapped to generate musically useful gates, voltages & notes. Collisions for some particles may even be switched off so that they move freely around the screen without colliding with other simulation elements.

Multiple quantize zone maps can be used simultaneously to create chords and multiple particles may be mapped to the same output to allow transposition of melodies. CV outputs can be set to send a transposed voltage from another output for easy chord generation.

One particle can control all outputs or all particles (up to 50) can control one output, and anything in between. As with Flux, we have aimed to keep the module as flexible as possible. All simulations can be drawn from scratch using the touchscreen or simulations can also be crafted in fine detail by inputting exact values in the UI.

Multiple external and internal timed resets can be used simultaneously per particle to sync to external equipment or create repetition and complex rhythms as explored in the demo video.

Endless rhythmic and melodic possibilities await!

Please note - the module's hardware itself obeys the real world laws of physics as is in no danger of floating away from your case should you experiment with gravity values. It should however be held in place by mounting screws (just in case)."

CLICK FOR MORE »

1967 Moog Synthesizer Catalog

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"1967 was the first year Moog had a synthesizer catalog to support their product line, which was entirely custom built at that point. The catalog front has minor wear on the cover, particularly on the bottom edge, that prevent this from being labeled as new/unused. All the pages are intact, none are creased or torn, there is no thumb wear or staining on any of the pages, no writing of any sort on the inside or outside, no dogears or damage. Included is a letter from R.A. Moog dated October 1967. The front cover is rubber stamped Joseph Sear Company with the Manhattan address. Sear Sound was his only sales rep. I will quote Bob Moog in his interview for the Vintage Synthesizers book (Mark Vail)

'Walter Sear had been beating a path up and down Madison Avenue, selling modular systems to commercial music producers who did work for ad agencies. He had something like 40 customers by 1968. But when Switched on Bach came out, the shit hit the fan.'

1967 was the first year any synthesizer manufacturer anywhere had offered the general public a catalog and this is one of them. Very few of these catalogs were ever printed because his scope was limited entirely to NYC, and this is almost certainly the only one left in this condition. If you're shopping for a gift for your favorite Moog synthesizers collector, they don't have one of these. This is a piece of music history."

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KORG Introduces The New microKORG - A New Origin

video upload by Korg

The microKORG 2, 8 voice synth and vocoder engine. 4 voice in dual/layered mode.

"The microKORG, one of the most iconic and recognizable synths in the history of music, revolutionized the music world with its unique form factor and unmistakable sounds, making it an industry standard for musicians everywhere. Renowned and loved by musicians, sound engineers, producers and gadget buffs everywhere, the microKORG has now evolved to a more powerful, more flexible and richer level - the new microKORG.

While retaining some of the iconic aspects of the original , including the convenient portable size, easy to play mini keybed, the large dial for selecting program genres or the vocoder with dedicated mic, the new microKORG offers a completely new, powerful sound engine, many more useable programs, a visually astounding user interface, and so much more."

CLICK FOR MORE »

The AtoVproject Dual Harmonic Oscillator is a monster!

video upload by Tom Churchill

"This is a rich, complex-sounding patch based around the Dual Harmonic Oscillator from AtoVproject. It’s a big, super-powerful module with two triangle-based VCOs that offer four octaves worth of harmonics, as well as regular sine, saw and pulse outputs via the expander. I’ll be covering it in more detail in a dedicated video soon, but in the meantime check out DivKid’s excellent deep dive if you want to know more about it: [posted here]

In this patch, it produces four melodic layers, with everything driven from a simple 8-step sequence out of the Jasmine & Olive Trees Traffic module switched over to the Water firmware. Joranalogue Filter 8 provides some quadrature LFO modulation to control the levels of the harmonics, and ALM Pamela’s Pro Workout provides clock, trigger patterns and transpose voltages. I’m also using the Nekyia Circuits Obsidian for some extra LFOs, and the Sosumi LPG on two voices - full video coming soon on all the Nekyia stuff, it’s great! Reverb is Valhalla Supermassive (in the box).

More on the DHO: https://atovproject.de/products/dho"